Some time ago, I was approached by a passionate collector. He had an eye for the rare Dinky Toys 48 Petrol Filling and Service Station. First introduced to the public in the June 1935 issue of Meccano Magazine, this model had unique charm, partly because its production lasted only a short time before coming to a halt at the start of World War II.

Dinky Toys 48 Petrol Filling and Service Station advertised in Meccano Magazine, June 1935
Virtually impossible to find, let along in good condition, the No. 48 Petrol Filling and Service Station — which was produced from 1935 to 1941 and later from 1945 to 1946 — encapsulates the peak of tinplate craftsmanship from the early Dinky era and stands out for its vivid lithographic detailing and period branding, a rare survivor of 1930s toy-making elegance.

A near pristine Dinky 48 Petrol Filling and Service Station
Image: J K Diecast Models
The collector wanted nothing less than a paper reproduction of this iconic station, complete with all the original details. With a smile, he told me, “I’ve dreamed of owning an original for years, but the prices on the market are simply out of reach.” I promised him I would recreate the model, provided I could find the right images of the charming service house.

After extensive searching through archives and old advertisements, I finally found the perfect image. The station was made in various color combinations of green, blue and orange bases and green, yellow and brown roofs. With this information in hand, I set to work. First, I carefully sketched out the construction details, made a prototype, and adjusted it until each part fit together perfectly.

I started by crafting the base plate, followed by the service house, the roof, and the roof border, each piece created separately. The components were reinforced with cardboard and covered with thick colored paper. One by one, these parts were glued onto the base plate. As a final touch, I positioned the red crown on the roof. proudly displaying the station’s name. When the service station was finally complete, it felt like an homage to a bygone era and a tribute to craftsmanship of the past.

The collector received the model with a broad smile and told me that, although he had wished for an original, this paper reproduction touched him even more. It was not just a copy but a work of art: a piece of history reborn in a new, artisanal way.
